Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, Gefilterd Water Kantoor Huren has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love Gefilterd Water Kantoor Huren you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us. This might be because so little is known about the prehistoric culture of the Mediterranean—today, we mostly know about the Nuragic tower structures built around BC on Sardinia, though their exact function remains a mystery. In this way, the reference makes sense: it is only through architectural remnants that we can glean anything about that ancient culture. Gefilterd Water Kantoor Huren lines are drawn on the floor and walls, a pendulum swings from the ceiling, and mounds of sand give rise to small pyramids shaped using wooden templates. The choreographers offer no explanations, instead maintaining a deliberate restraint.
Andere plekken doen dat beter. EN : Very much so! As a result, the performance is conceived as a musical evening — part improvised, part fixed, part concert, part dance performance — in six scenes. Scenographer and director Philippe Quesne's set design is enlightening. We are overcome by romantic sentimentality as soon as we look at the evening sky outside the city and are confronted with how tiny and ephemeral we are in relation to the supposedly infinite universe.
Servieren Sie nachhaltiges Wasser und natürliche Erfrischungsgetränke
Ab sofort können Sie gemeinsam mit Kollegen, Familie oder Freun- den in entspannter Atmosphäre und unter Anleitung eines talentier-.Geben Sie die Anzahl der Mitarbeiter und den Kaufpreis Ihres Wassers ein und berechnen Sie, wie viel Sie mit unserem Wasserspender in der Gastronomie pro Jahr sparen und verdienen können. Meg Stuart enters the stage from the same corner and stands next to Weiss. Alarmed, one thinks of drowned bodies; and also of dying soldiers in lakes, oceans, rivers, because Pierre Piton is wearing a camouflage T-shirt. Easy as ABC, one could say. In het theater is het al lang usance om met een dramaturg te werken, binnen de danswereld is het een recente ontwikkeling. Elke beweging van Mieko Suzuki, Omagbitse Omagbemi en Meg Stuart op deze verwelkte planeet annex onherbergzame nachtclub lijkt afgestemd op hun ademhaling — je zou zelfs zweren dat je die hoort. Accompanied by a bass player and a pianist. De ingang ligt direct aan de toeristeninformatie. Amorfe luchtkussens veranderen constant van vorm, een glijbaan lijkt de poort tussen het heelal en de aarde, toekomst en verleden. She moved actors, involved them with the dancers in her pieces and got the craziest thing out of them. Meteen wordt ook de noodzaak, of minstens de relevantie van die rol gejustificeerd. Design embed now. From the beginning, each dancer performs their own score. The experience of this performance is something comforting in a state of longing, a rare embrace, all the way around. Folgen Sie unserem Abenteuer in eine neue Welt Melden Sie sich für den Newsletter an. Thick fog on the stage of the Volkstheater, very slowly the light dims, the music drifts away — and all at once it is dark. Daar wordt, ondanks de verwarring, schaamteloos van genoten. Link to original article. Link Short-link Embed Copy. Voorts staat er een steile, houten skaterhelling. Or they bounce off an inflated landscape of stars in slow motion — in "CASCADE" everything seems to be in quest of the present. Ersparnisrechner Gastronomie. Some climb the inflatable structures, however shakily, or throw themselves onto their surface, making the others bounce. This playful destruction gives way to new creation. In de rechterhelft van de zaal dalen vanaf de balkons zwarte doeken naar beneden. Only the dancers get wet. At the Theaterspektakel she not only sends dancers to Lake Zurich, but also the audience. De prijs per vierkante meter, dat is de essentie. Net zo is het een beetje sneu dat Wouters, als hij het heeft over een opleiding in Antwerpen, niet vermeldt dat het ging over Popok, waar Alex Mallems, Niek Kortekaas en Johan Daenen de dienst uitmaakten. Entscheiden Sie sich für einen Wasserspender mit oder ohne unsere natürlichen Sirupe? CASCADE raises pressing questions: What is a good life, despite climate catastrophe, war and disease? Daarom biedt de taaie voorstelling ook gul ruimte voor humor.
